Fionn Meade: Re-assembling Editorial Space
- Astrup Fearnley Museet
- Event type
Nachleben (installation view), Goethe Institut NY, 2010. Left to right: Christopher Wool, William E. Jones, Zora Neale Hurston, and Harun Farocki
Curator and writer Fionn Meade considers how renewed emphases on editorial sensibility in curatorial and artistic contexts are being shaped and transformed. How are new editorial positions emerging through exhibitions and publishing platforms (digital, print, and broadcast), as well as expressly socialized events that bring talks, screenings, and live events into closer proximity and influence with art production, its reception, and narratives? What are the aesthetic and political potentialities and responsibilities of the editorial, and what makes contemporary art a ready context?
Part of an ongoing inquiry, Meade will explore three terms—raum (German for “room, space, and chamber”), chroniquer (French “to chronicle”), and veshchi (Russian for “object and thing”)—in close contact with three highly relevant formats currently under renewal and re-assembly: the institute, the journal, and artistic research. Specific forums and recent initiatives will be considered in outlining a more spacious and nuanced conceptual framework for the editorial.
Fionn Meade is a curator and writer based in New York. He is currently a faculty member at the Center for Curatorial Studies at Bard College, and teaches in the MFA Program for Visual Arts at Columbia University. His writing appears in Artforum, Bomb Magazine, Mousse Magazine, Spike Quarterly, and Parkett, among other publications, and he was the recipient of an Arts Writer Grant from Creative Capital and the Andy Warhol Foundation.
The lecture is included in the ticket price and open to the public. Free for members of the Astrup Fearnley Art Club.