Skrevet av Joan Didion
Bruk den blå pilen til høyre for å lese teksten.
The White Album, 1979
There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation with the idea of "sin"—this sense that it was possible to go "too far," and that many people were doing it—was very much with us in Los Angeles in 1968 and 1969.
A demented and seductive vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full. On August 9, 1969, I was sitting in the shallow end of my sister-in-law’s swimming pool in Beverly Hills when she received a telephone call from a friend who had just heard about the murders at Sharon Tate Polanski’s house on Cielo Drive. The phone rang many times during the next hour. These early reports were garbled and contradictory. One caller would say hoods, the next would say chains. There were twenty dead, no, twelve, ten, eighteen. Black masses were imagined, and bad trips blamed. I remember all of the day’s misinformation very clearly, and I also remember this, and wish I did not: I remember that no one was surprised.
© 1979 Joan Didion; New York: Simon & Schuster